¡HOLA! Latina Powerhouse 2026 Honors Two Peloton Leaders

The publication recognizes Robin Arzón and Camila Ramón for work spanning books, podcasts, music, and community.

Robin Arzón and Camila Ramón are among the honorees on the Latina Powerhouse 2026 list, the annual Top 100 from ¡HOLA! that recognizes Latinas across the United States and Latin America. ¡HOLA! published both profiles on October 21, 2026, placing the two Peloton instructors alongside leaders from entertainment, sports, fashion, and business.

How the Latina Powerhouse 2026 List Works

¡HOLA! launched the Latina Powerhouse Top 100 in 2020 as a tribute to women reshaping industries across the Americas. The program has since grown beyond the list and now includes an annual Latina Powerhouse Gala in Miami.

The Latina Powerhouse 2026 class is organized by category, including Entertainment, Sports, Creative Forces, Fashion, Beauty and Wellness, Gastronomy, and Visionaries. Camila is recognized in Beauty and Wellness, and Robin appears as a Visionary with Changemakers.

Robin Arzón Adds Books, a Podcast, and a Puerto Rico Homecoming

In her Latina Powerhouse 2026 profile, ¡HOLA! centers Robin’s year on three milestones. Her cookbook Eat to Hustle arrived in March and became her fourth New York Times bestseller. Created with registered dietitian Dalina Soto, the book includes 75 high-protein, plant-based recipes, each with macronutrients listed. The project also took her on a four-city book tour and to The Kelly Clarkson Show and The Drew Barrymore Show.

In February, she launched Project Swagger, a weekly video podcast with Vox Media. The half-hour show covers ambition, productivity, parenting, wellness, and mental strength. It followed a 2025 that included Peloton’s first full instructor apparel collection from Robin and a one-of-a-kind Robin Arzón Barbie from Mattel, created as part of the introduction of Barbie’s first doll with Type 1 diabetes.

The most personal moment came in April. At the Jardín Botánico de Caguas, Robin taught her first Peloton classes in Puerto Rico, more than a decade after joining the company. The daughter of a Cuban mother and a Puerto Rican father, she led bodyweight strength and core sessions at the 12th edition of the Me, Myself & I wellness festival, moving between English and Spanglish.

She left law in 2012, joined Peloton in 2014, and now serves as Vice President of Fitness Programming and Head Instructor.

Camila Ramón Recognized in Latina Powerhouse 2026 Beauty and Wellness

In its Latina Powerhouse 2026 profile, ¡HOLA! describes Camila as Peloton’s first bilingual cycling and Tread instructor. Born in Buenos Aires, she moved to Miami at age seven, and the music and culture of that upbringing became central to how she approached fitness.

She made her Peloton debut in 2021 to Tego Calderón’s “Punto y Aparte.” Classes with her often feature reggaetón and plenty of Spanish, which earned her the nickname Perreo Princess. Her community goes by the Mila Mafia.

¡HOLA! also highlights how she talks about body image. Camila calls the critical voice in your head the Tía Tóxica, a nod to the relative with an unsolicited comment about someone’s body, and encourages members to quiet it. The message behind the joke is that movement does not need to start from self-criticism.

Her work has extended beyond the studio. In 2025, she began co-hosting iHeart’s Hasta Abajo with former Colombian soccer player Melissa Ortiz and was recognized among El Diario’s Mujeres Destacadas. She also released her first single, “No Hay Fotos,” that year.

In 2026 came “24/7,” a Tropipop song that moves from mambo to bachata, with a music video shaped by fan suggestions. “Mary Jane” followed in April. In August, Chicago’s Northalsted Market Days introduced her as a Peloton instructor and singer, and she performed her music on stage.

For Peloton members, the two profiles outline instructors whose work now reaches readers, listeners, and festival crowds well beyond the class library. The Latina Powerhouse 2026 recognition comes from outside the fitness industry, and ¡HOLA! frames both careers around the audiences they built through language, music, and community.

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